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One House one Vision

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Antonino Cardillo, a Sicilian, is a young architect traveling. Living the in the cyberspace obsoletes having a physical location, but requires constant learning, curious and deep to fight the approval and the fossilization of language. A project must be fed day after day with presents. Cardillo filters cultures and traditions that become minor suggestions in his buildings, interpreted by each according to your mood and its sensitivity.

Living Space House design

Living Space House design

A side entrance reveals a show that, like a Greek mask worn by the visitor suddenly projects and draws attention to two tapered windows, a pair of eyes to the world. Theatre inside the theater of life through the dust, metaphor and travel to distant lands, imperceptible unifying element between space and time. Goethe said that we should acknowledge what others possess before becoming aware of what you own.

Lighted Living Space

Lighted Living Space

And here, on a carpet of wood which becomes the stage, life goes on stage. Building a home environment takes time and love. The others will be able to reconstruct images and translations that will help to free up otherwise hidden aspects of the work such as when Schoenberg concerned about the criticism of his music, said that the procedure leads to the fallacy of habit. The beauty of pre existing in the mind and heart. Besides the light, we must learn to see in the darkness like Tiresias. Elegance and not a tragic parody. Architecture that breathes light, which transcends time and is music, interaction and projection of many futures ahead.

Antonino Cardillo masterpiece

Antonino Cardillo masterpiece

Harmonic alternating compressions and expansions make up the public space of the house. The golden section divides the living height, a base made of cream colored concrete and plaster ceiling with the rustic color of the clay. The edges, openings and windows now appear dug in the basement, now as carved baguette. Series of arches, abstract memories of paintings of the fourteenth century, confuse doors and cabinets. Among them, one just drawn on the wall punctuated by a knob in pink glass, introduces the rooms of intimacy which are also distinguished by a pale pink on the walls. Each architectural word thus describes the different ways of his own existence, walls almost similar to the facades of the building toppled in a minute.

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